This can be done with film scores as well. I have always been fascinated by the concept of the “pathetic fallacy,” which is a term used for when an environment in literature mirrors the internal state of a character. Once I spent more time with it alone, I realized it was not a spell but a curse. I started writing it with my friend Donna Missal, and we discussed it feeling like a “spell” and didn’t get much further than that. “The Next Curse” is a song that revealed itself slowly to me over time. Was this a bucket-list moment? And how did this collab come about – did you write the music and thought, ‘You know what this needs? Lzzy.’ In August, you shared “The Next Curse,” your song with Lzzy Hale. Everyone will understand lyrics exactly as they are meant to hear them, and that is part of what I love about this life. We each live in a distinct reality, and we can only see through our limited lens. I strive to write lyrics that are also poems, and hearing different people’s interpretations of them is a delight. Would you say there are some running themes on the ocean? In the singles – “Once More for the Ocean,” “Strange Astrology,” and “Cranium” – there appear to be recurring motifs of loss, longing, and searching (or, ironically, I might be reading too much into it.)ĭefinitely. ‘Spider-Man 4’ Confirmed: Tom Holland Gives New Update About The Future Film It is a title meant to encourage listeners to question their reality and to consider how little it might take for everything to look and feel completely different. The title of this album, Parallel Timeline, was chosen long before the pandemic hit. The title seems related to a common phrase – “We’re in the darkest timeline” – and I was curious, what was the inspiration behind this? Jasmin Savoy Introduces Herself As A Singer With ‘Rawness & Vulnerability’ In Debut Single ‘Crash’ Oceans Of Slumber’s Cammie Gilbert Reveals How New Album Reflects Her ‘Perspective’ As A Black Woman Surfbort’s New Album ‘Keep On Truckin’ Is A Punk Declaration Of How ‘We’re All In This Together’ I’ll never forget what the sun looked like that day. I thought about this concept a lot for “The Next Curse.” The spoken part was written during this horrible fire in LA the first summer of the pandemic. For the score for Hitchcock’s Vertigo, Bernard Herrmann uses the whole tone scale to mirror the experience of having vertigo- both lack a center of gravity, a core magnet that orients you home. “I have always been fascinated by the concept of the ‘pathetic fallacy,'” Leah tells HollywoodLife, “which is a term used for when an environment in literature mirrors the internal state of a character. This moment, perhaps the loudest and grungiest on Parallel Timeline, becomes even more poignant after learning what went into the track’s creation. “The Next Curse” has these two powerful voices flicker like two flames from the internal and external blaze sung about in the song (“Earth’s gonna set on fire / But still I wait”). In the middle of the group’s excellent new album, lead singer and bandleader Leah Wellbaum shares the spotlight with Lzzy Hale of modern rock juggernauts Halestorm. Parallel Timeline, the new album from alt-rock band Slothrustand their first since 2018’s The Pact, only has one featured appearance, but it’s a doozy. Search Hollywood Life Search Trending Navigation Trending Latest Hollywood Celebrity & Entertainment News Primary Menu Menu Close Menu
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